Blog 5
All throughout the book written by Bryce Courtenay The Power of One I kept reading about
these symbols like the Nazi Swastika, the union Jack, the three waterfalls, the
snake, the loneliness birds and the African term osmosis or the Tadpole Angel.
All of these symbols had a different meaning and significance. These symbols
are used in different situations to show us new things or to show us a
different perspective on a situation.
The first symbol I mentioned was the Nazi Swastika. Most
of us know what this was. It was a cross type symbol and Hitler used it to show
their anti-Semitism or hate towards the Jews. In the book we read that Judge
and the Jury all love Hitler. They look at him and the Germans as a saviour
because he was supposed to get rid of all of the Rooineks in South Africa. They
were going to come and march them all off of the cliff into the sea. The Judge got a tattoo of the Swastika on his
arm and this was a sign of his naivetés. He didn’t really know what Hitler was
going to do, he didn’t realise that he would just as soon kill all of the
Afrikaners. The Judge didn’t realise that Hitler was after the Jews. At the end
of the book Peekay mutilates the Judge’s swastika by carving into his arm a
union jack. The swastika could go away; one could scrape a tattoo off, even if
it was painful. However, it was possible, but the scar that would be left by
Peekay would be unfixable. This was a sign of Peekay’s final stand against his
aggressors. Bryce Courtenay uses very graphic language to get his point across
but there it is Peekay’s rebellion against the false ‘deity’ so to speak.
The third symbol was the three waterfalls. I didn’t
find much about this topic, but I did find that in the book, Peekay returns
home after his first year of school and his nanny commands the famous black
chief Inkosi-Inkosikazi to solve Peekay's bed-wetting problem. Not only does
Inkosi-Inkosikazi manage this, but he also opens Peekay's mind to a special
place of "dreaming", a place of three waterfalls and ten stones, where
Peekay may always find him. This could be Peekay’s sort of happy place, a place
where he could go to take control of his ‘Zen’ so to speak.
The next symbol was the snake. First of all is his
‘hatless snake’. Now we all know that this referred to his circumcision and
this was a source of shame to him. It set him apart from all of the other white
boy’s. That is how they found out that he was a Rooinek. They tortured him as a
result. The next snake we hear of is the one that Granpa Chook kills. Granpa
Chook bites off the head of this snake and Peekay uses this as a sort of
comfort because he is not the only one with a ‘headless snake’ anymore. These,
however, are literal. Later on in the book the snake turns into a symbolic
status. Starting in chapter eighteen, Peekay uses the symbol of the snake by applying
the analogy of shedding his outer skin, similar to the snake. He conquers his
earlier embarrassment of his ‘hatless snake’. Now, instead of feeling
vulnerable, he comes to accept himself as he is. At the end of the book, while
he has his mining job, he has a dream or ‘vision’ of the black mamba snake, the
dream sign from Doc. This seemingly cautions Peekay of his disastrous incident
with the running fuse and this dream saves his life.
After this there are the loneliness birds. These
birds are Peekay’s childhood idea and their name describes what they are. They
need no introduction. They are spread throughout the story but always happen to
be mentioned when he is suffering from abuse and feels alone. Peekay finally
gets rid of these loneliness birds when he beats the Judge to a pulp and
mutilates his arm.
The last symbol is the Tadpole Angel. This is
something that only the black people in the book seem to have. They can somehow
transmit information through this Tadpole Angel. The Tadpole Angel is a symbol
of hope and the black people along with the outsiders in the Prince of Wales
school compare Peekay to the Tadpole Angel. This is because he is a symbol of
hope; he does what others don’t dare and he succeeds.
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